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  1. The 10 best non-fiction books about London
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The 10 best non-fiction books about London

A sweltering House of Commons is debating the Corn Laws, while in Chelsea Thomas and Jane Carlyle worry that their stodgy mutton and potato diet is giving them constipation. Elizabeth Barrett is trying to get a breath of fresh air in Wimpole Street while her secret paramour Robert Browning slogs across the city to his home in New Cross. In a classic work of immersive journalism and ethnographic inquiry, Mayhew gets the watercress sellers, rat catchers and whores of Seven Dials and St Giles to tell their stories in their own voices.

Using the excuse of needing to buy a pencil, Woolf walks halfway across London in the wintry twilight, enjoying the anonymity of the rush hour bustle. In Lights Out for the Territory Iain Sinclair walks the streets of a newly corporatised London, which is about to be handed over by the Tories to Labour in the election. Along the way he logs every gleaming phallic tower as well as every scribble of wild graffiti, which he reads as the authentic cry of a weeping city. He is still the master. We cross the road and proceed onto Neal Street. Leave the square — after the customary pictures: how can you miss a view like this in your memory book!

Today is a lively crossroads bordered with shops and restaurants, and no one would think that Seven Dials in the nineteenth century was one of the most dangerous roads of London. It was virtually impossible to wander around here at night without suffering a robbery or an assault, so that even the police kept well away. The pub on the corner — the Crown — has long been witness to this past. A good excuse to pop in, try a local beer and watch the pictures on the walls that tell the story of Seven Dials.

We continue our walk through the streets of Soho following Monmouth Street to West Street, where we turn right in front of the St. We continue on Litchfield Street past the Ivy, one of those absurd places in London where you have to apply for a special permit to enter, and ask for a mortgage to pay the restaurant bill.

But it is a historical place all the same, which has been opened for almost a century and has seen the most famous actors. But we are not famous actors, so we can just carry on.

Greenery Street

The foundation stone of the Palace Theater, build in , is still visible in the lower right part of the building, near the entrance. We leave the theatre on our right and we take Shaftesbury Avenue, then we turn left at Gerrard Place and enter Chinatown.

About The Cry from Street to Street

Turn right in the pedestrianized Gerrard Street, the heart of Chinatown. After the war there was a growing interest on oriental cuisine, especially after the return of the soldiers from the Far East. Today, about , Chinese reside in London and this has become the heart of their community. Around Soho we will see more of these blue plaques that identify places with historical relevance.

Turn left on Bateman Street and then right again on Dean Street. On the right we see the restaurant Quo Vadis. In two rooms above lived Karl Marx and his family from to Turn now to the left through St. Here, between and , the Beatles, David Bowie , Queen , Elton John , Genesis , James Taylor , and a long list of other musicians used these studios to record their songs Hey Jude was recorded here.

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We get out on the other side we turn left on Wardour Street and then right on Broadwick street and arrive at the John Snow pub. Through his studies the physician John Snow in realized that the cholera epidemic that was spreading in the area was transmitted by contaminated water. He convinced the local authority to remove the handle of the water pump on the street to see the almost immediate arrest of the epidemic. The water column on the corner with Poland Street recalls how this simple solution saved the lives of millions of people.

After the Pub turn left on Lexington Street, then right on Beak Street, which still maintains the same structure of the past. At number 41 we see another blue plaque , which indicates the house where the painter Canaletto lived. Learn how to enable JavaScript on your browser. Summer Reading for Adults. Fiction You May Have Missed. NOOK Book. Large Print. The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become.

Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.

Make informed decisions with the FT

Sandra Cisneros is a poet, short story writer, novelist and essayist whose work explores the lives of the working-class. In addition to her writing, Cisneros has fostered the careers of many aspiring and emerging writers through two non-profits she founded: the Macondo Foundation and the Alfredo Cisneros del Moral Foundation.

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Sandra Cisneros is a dual citizen of the United States and Mexico and earns her living by her pen. She currently lives in San Miguel de Allende. This little book has made a great space for itself on the shelf of American literature.

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And lucky future readers. This funny, beautiful book will always be with us. She is not only a gifted writer, but an absolutely essential one. The subtle power of Cisneros's storytelling is evident. She communicates all the rapture and rage of growing up in a modern world.

Jonathan Cape - Wikipedia

Like the best of poetry, it opens the windows of the heart without a wasted word. Her work is sensitive, alert, nuanceful Sandra Cisneros is one of the most brilliant of today's young writers.

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  7. Her work is sensitive, alert, nuanceful…rich with music and picture. Her work is sensitive, alert, nuanceful. This landmark story collection relates the triumphant coming-of-age of young Esperanza Cordero who finds her own voice and inner potential to overcome the impediments of poverty, gender, and her Chicana-American heritage.

    Why might Cisneros have chosen this name for her protagonist? Does she fit in with an older or younger crowd, and how does she feel about her place in the social hierarchy? As Esperanza matures, does her use of simile change? What are her goals? Can she identify with Marin, and how might Marin be or not be a role model for Esperanza?